Tala Sage DREAM My spirit was meeting with a group of non-corporeal entities in a liminal space, discussing and contemplating the nature of life and death.
My spirit zoomed my visual consciousness to the right and saw this massive, rectangular, ancient stone temple complex that looked sort of like a filing cabinet, but if it was interpreted through an ancient Egyptian temple aesthetic. It was probably 100 stories tall by 1,000 stories deep and 200 stories wide (I've never measured depths in stories before, but that's the closest approximation I could give to the massive scale of the structure). It reminded me of something out of a Christopher Nolan movie.
My spirit zoomed out of the council space, drifting in the black, sparkling void outside of the structure, and it went straight through the front wall into the death temple. Inside of that, I witnessed, as an eyewitness, thousands upon thousands of skulls and skeletons and decomposed bodies compounded on top of each other, just separated by about a couple centimeters, like they were layers in sedimentary rock. There were thousands and thousands of them that were sandwiched like sheets of paper in a filing cabinet, stretching back the length of the building. They had all sorts of artifacts and symbolic remnants that were layered, with each one that represented their particular medicine and life.
I was not scared or freaked out in any way. This was a completely sacred and holy space, and I was honored to be there.
This is particularly relevant because I am birthing a new offer in my coaching practice that has to do with Rites of Passage and Threshold Work: Traversing the Liminal and Examining what Emerges.
This is right as I was dreaming up that whole thing, and it felt very appropriate for the space that I've been in recently.
I'm also reading Sarah Wilson's I Eat the Stars, which is all about civilizational collapse and the climate crisis from a radical acceptance point of view in order to create beauty within the collapse.